Embodied Theories of Melody in Nepali Music: A Case Study from Central Dhading
Scholars of South Asian music have often discussed local traditions using the terms of the region’s dominant classical traditions, obscuring vernacular theories and practices (Ayyagari 2012). In Nepal, this way of thinking emphasizes music-theoretical influences from India and leaves little room for attention to how artistic practices and their associated theories have developed locally. In …
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